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When using an audio interface, Ableton Live will let you choose which output each of your tracks goes out of. You need at least 4 outputs to make this option worth it. Don’t bother with an interface that doesn’t have at least 4 outputs. I would recommend looking at anything by PreSonus, MOTU, or an audio interface that I helped design that’s called Track Rig. There are a lot of great options out there that will get the job done. To solve this issue, another way to send audio to the sound system is by using an audio interface. This means that if your sound team wants to turn down the tambourine track, you would need to adjust it for them on the Ableton Live computer ahead of time. When using the headphone jack, you’re sending all of your tracks out a single, mono output.
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The downside of using the headphone jack is that it doesn’t give your sound team full mix control over each individual track. This is the setup I use about 75% of the time when I lead worship because I travel a lot to different churches and need an easy, quick and uncomplicated setup. You’ll then be able to plug each 1/4″ jack into Direct Boxes for your click and tracks. You’ll need to buy a Hosa CMP-153 Stereo Breakout cable. Selecting ‘1’ will send the audio to the left side of your headphone jack and ‘2’ will send the audio to the right side. You’ll be given another dropdown where you can choose which side of your headphone jack to send the audio. In Ableton Live, all you need to do is choose “Built-in Output” as your audio output device from the audio settings tab in preferences.
This means you can use the left side of the headphone jack to send your click and the right side to send your tracks. However, your headphone jack is a stereo output. They think that because it’s a single jack it only has one output. Many people who first start using tracks are confused by the headphone jack.
It’s also perfect for beginners or worship leaders who want a really fast setup. This is honestly the easiest and most affordable way to send tracks to your sound system.
#Ableton dante virtual soundcard how to
There are three ways that I’d recommend looking at when deciding how to get your tracks heard through the sound system and the click to your band. It all depends on your setup, workflow and personal preference. As with many other things in Ableton Live, there are multiple ways of doing the same thing. It’s one thing to know how to create a rock-solid Ableton Session, but when it comes time to move from your church office to the stage, connecting your computer to the sound system is a vital step. Published by Loop Community on JJune 6, 2019 I really need a surface now for Reason or logic given that I am contracted to record a number of shows between now and the new year and I need good and fast workflow.3 Ways to Send Your Tracks to Your Sound System
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I have tried many times – but have not yet succedded in getting the midi to implement correctly – including using learn command in logic or reason.Īt the minute I am actually trying to locate a tascam US2400 and then when I get it – try to get someone to setup drivers for Mac OSX for me for it. THe onething that I was hoping to be able to do was to set up the GLD80 as a DAW mix surface controlling Faders, Mutes primarily for Reason or Logic. Routing is really easy and graphical in reason.Īny editing or recording automation later on is pretty easy too. Then the rest – the record transport really just looks like a giant tape recorder really LOL! I just did a 22 track wide recording of a theatre production “Suessical” last week in Reason 7, and Reason 7 is awesome for tech heads who may not necessarily know the ins and outs of the likes of Logic or Pro-Tools etc, as Reason is laid out like on of the old SSL desks in the signal structuring side of stuff.
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Depending on my requirement I usually use either Reason 7 or Logic Studio pro 9 for my live multi-tracking.